Mauro Carbone, "Philosophy-Screens: From Cinema to the Digital Revolution." Trans. Marta Nijhuis

Digital Cinema Technologies from the Archive’s Perspective

Quality vs. Variety: Trading Larger Screens for More Shows in the Era of Digital Cinema

Movie exhibitors currently face two forces vying for the limited footprint of their properties. Recent advances have enabled exhibitors to satisfy consumers’ long-standing desire for increasingly larger screens. On the other hand, digital technology has reduced the cost of playing the same movie on multiple screens, thereby creating an incentive for screen proliferation to increase the number o...

AVANT - GARDE AND EXPERIMENTAL CINEMA : From film to digital

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from linguistics to literature: a linguistic approach to the study of linguistic deviations in the turkish divan of shahriar

chapter i provides an overview of structural linguistics and touches upon the saussurean dichotomies with the final goal of exploring their relevance to the stylistic studies of literature. to provide evidence for the singificance of the study, chapter ii deals with the controversial issue of linguistics and literature, and presents opposing views which, at the same time, have been central to t...

Ikeda’s Philosophy of Human Revolution

In this paper I will consider and examine the figure and work of Daisaku Ikeda, a Japanese Buddhist master, philosopher and writer. It seems impossible to separate within it creed from argument, faith from reason, and religion from philosophy. In particular, Ikeda’s philosophy of human revolution is the contemporary reelaboration of Nichiren’s interpretation and practice of the Lotus Sutra. I w...